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Gabba does Boogaloo Assassins - Westernize - No No No

Live drums recorded along to No No No by the Boogaloo Assassins as part of the Westernize Project. 

Jimmy Chamberlain Complex - Street Crawler

Jimmy Chamberlain is the drummer from The Smashing Pumpkins and one of my drumming heroes. Jazz trained, he chose instead to play in a rock band and good job he did too, coz he has taken rock drumming to a whole new level. This is his solo project where he really lets rip. Musically, it doesn’t massively do it for me, but as a showcase for his skills, it is awesome! 

Drumming with Autism - teaching an Autistic child to play drums.

Drumming with Autism - teaching an Autistic child to play drums.
Just had another awesome lesson with my autistic student and have found a great way to balance the lesson. He has an incredibly short attention span, wanting mostly just to play around, so I start the lesson by allowing him to do so until he seems satisfied and then I ask him to choose his favourite rhythm from what he came up with. I then tidy it up and get him to learn it to a good standard, then he or I come up with a fill to go with it. The we start over again with a play session. All in all we tend to come up with 2-3 rhythm and fill combinations. He is really creative and comes up with some good stuff… Most importantly, he loves it! So rewarding! 

The Psychology of Learning to Play Drums

I am constantly reminded of what a big part psychology plays in learning. I see time and time again how fear will prevent somebody from being able to achieve something that is well within their skillset and, at the other end of the scale, how overconfidence will cause somebody to rush into something unprepared and get it wrong, thus denting their pride. This up and down cycle of confidence is very common and can be overcome by detaching emotion from failure. Making mistakes is part of learning. The thing to focus on is not the mistake itself, but how we respond to it. A mistake, once made, cannot be undone, the rest of the track, however, is still to be played. The correct response is to take it as a signal to refocus and concentrate harder on what we are doing, focus on the musician/backing track/click that we are playing to, focus on the next beat, focus on where we are in the track and make sure that we do our best to ensure that the rest of the “performance” is as good as we can make it. If the rest of the performance is good then, by the end of it, the “listener”, if they even noticed the mistake in the first place, will probably have forgotten it. The vast majority of people won’t even notice it in the first place! As a teacher I am happier to hear somebody make loads of mistakes, but keep the timing and keep the count, than I am to hear somebody play something perfectly then make a mistake and give up. Accept the mistake, keep going, concentrate and focus on making the rest of the performance the best that you can. 

Insane Hand Drumming: Johnny Mendoza!

Blimey! This is one of the most insane things ever! How this man keeps up this speed for so long, beggars belief! That’s some serious voodoo there! Johnny Mendoza playing with Sammy Davis Jr. in the early 1960s. This has to be seen to be believed! 

Teaching in Brazil?

Website statistics for the location of people visiting the Drum Lessons Bristol website.
It turns out the most of the people who look at my website come from Brazil!!! I think I might have to start doing remote lessons via Skype!